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Masseduction, then, is her Let’s Dance: exploding the comparatively unassuming craft of Marry Me and the comparatively tentative rhythms of her self-titled album into immediate hooks with a roaring largesse. The guitars are background squalls, compressed and oiled up with “Gary Glitter tuning.” Kendrick Lamar beatmaker Sounwave contributes. So does Jack Antonoff—who’s helped turn the stories of Lorde and Taylor Swift into technicolor memoirs—and even Delevingne herself on backing vox. All of which, in 2017, looks an awful lot like a pop album.

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